CAMPO Benefit Auction 2023
14 DECEMBER 2023 - 29 DECEMBER 20239. Darren Waterston
Plate VI
Etching, aquatint, spit-bite aquatint
Image 34.9 cm x 24.8 cm (13.75 x 9.75 in)
Paper 42.5 cm x 30.5 cm (16.75 x 12 in)
2012
This artwork is part of the portfolio “A Swarm, A Flock, A Host”
Edition number 3/30 lower left
Signed by artist on front lower right and dated
Unframed
This artwork is located in Albuquerque, New Mexico, USA
Courtesy of Richard Levy Gallery
ESTIMATE
$600 - 1,200
This auction has now ended
Notes
Artwork Description
Originating in the Middle Ages, bestiaries were illustrated volumes that described various animals—some real, some mystical. The natural history and illustration of each beast was usually accompanied by a moral lesson. The images from A Swarm, a Flock, a Host: A Compendium of Creatures are inspired by such volumes. Artwork is in excellent condition.
Bio
Darren Waterston graduated with a BFA from the Otis Art Institute in 1988, having previously studied at the Akademie der Künste and the Hochschule für Bildende Künste, both in Germany. In 2020, the Victoria & Albert Museum in London opened Darren Waterston's Filthy Lucre: Whistler's Peacock Room Reimagined, a detailed and decadent interpretation of James Abbott McNeill Whistler's famed Peacock Room, a sumptuous 19th-century interior.
Darren Waterston has been exhibiting his paintings, works on paper, and installations in the U.S. and abroad since the early 1990s. Recent exhibition highlights include: Forest Eater at The Contemporary Museum, Honolulu (2011); Splendid Grief: The Afterlife of Leland Stanford Jr. (2009), an installation at The Cantor Arts Center at Stanford University, CA; and The Flowering (The Fourfold Sense) (2007), at the Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR.
In 2007, CHARTA published a monograph on the artist, “Darren Waterston: Representing the Invisible”, and in 2013, Prestel published a collaboration between the artist and poet Mark Doty, “A Swarm, A Flock, a Host: A Compendium of Creatures.” “Darren Waterston: Filthy Lucre,” was published by Skira Rizzoli in association with MASS MoCA and the Freer/Sackler in 2014.
Waterston’s paintings are included in numerous permanent collections including the Los Angeles County Museum of Art, Los Angeles; Fine Arts Museums of San Francisco; New York Public Library, New York City; The Getty Research Institute, Los Angeles; Seattle Art Museum, Seattle; and Museum of Fine Arts, Houston.Waterston’s paintings are included in numerous permanent collections including the Los Angeles County Museum of Art, Los Angeles; Fine Arts Museums of San Francisco; New York Public Library, New York City; The Getty Research Institute, Los Angeles; Seattle Art Museum, Seattle; and Museum of Fine Arts.