Art on a Postcard Winter Auction, Lots 401-520

04 NOVEMBER 2021 - 25 NOVEMBER 2021
SISTERS AT THE BLOW-UP POOL - front 409 - DETAIL SISTERS AT THE BLOW-UP POOL - back
SISTERS AT THE BLOW-UP POOL - front
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409. Catherine Repko

Sister at Blow-Up Pool

Oil Pastel on Paper

A6 (10 X 15cm) Original Artwork 

Signed on verso

ESTIMATE


£50 - 1,000

This auction has now ended

Art on a Postcard Winter Auction, Lots 401-520 (409/112)

Notes


About 

 

Catherine Repko (b.1990), is a painter living and working in London. 
"This year, the studio became filled with cheap print-outs of pixelated faces of my three sisters, faces from different angles, photographs of us together, now as women: embracing, hands held, fingers intertwined - a deep connection, empathy, love and history. Thinking about the space between us, as adults, how we support each other and what these female relationships mean to me as a woman now, I began painting. Four women." 

 

Education 

 

2019 - 2021 | Royal College of Art, MA Painting 
2010 - 2013 | University of Brighton, BA Visual Communication 
2011 | Minneapolis College of Art and Design, semester abroad 
2009 - 2010 | Chelsea College of Art and Design, Foundation in Art 

 

Select Exhibitions/Awards 

 

Exhibitions 
2021 | London Grads Now. 21, Saatchi Gallery, London 
2021 | RCA Degree Show, Cromwell Place, London 
2021 | Between the Acts, Wilder Gallery, London 
2021 | NOW, Huxley Parlour, London 
2021 | Final Not Over - Again, Unit 1 Gallery Workshop, London 
2021 | The Drawing Room, Berntson Bhattacharjee Gallery, London 
2020 | Blue Shop Cottage, BSC Presents: Repko + Whitehead, London 
2020 | WIP Show, Royal College of Art, London 
 
Awards 
2021 | The Valerie Beston Artists' Trust prizewinner 
2020 | The Elizabeth Greenshields Foundation, 2020 Grantee 
2016 | Arts Council England, Triangle Network Fellowship 

 

Statement about AOAP Submitted Artwork   

 

Catherine Repko’s works are concerned with the enduring continuity of the 
relationship between her female figures and 'collective memory' of family dynamics. 
She uses paint to reenact moments from the past and place them into a new context, where the line between fiction and memory is thin if not non-existent. 

 

PLEASE DO NOT BID ON ARTWORK IN OUR ART ON A POSTCARD AUCTIONS IF YOU INTEND ON SELLING THE ARTWORK AFTER YOU HAVE PURCHASED IT. THIS AUCTION HAS BEEN ORGANISED FOR CHARITY AND ALL ARTWORKS HAVE BEEN GENEROUSLY DONATED BY THE ARTISTS TO RAISE MONEY FOR THE HEPATITIS C TRUST. WHEN THE WORK PRODUCED FOR THE CHARITY IS SOLD ON THE SECONDARY MARKET IT DAMAGES OUR RELATIONSHIP WITH THE ARTIST AND PREVENTS US FROM FUNDRAISING. 

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