Art on a Postcard International Women’s Day Auction - Curated by Louise Fitzjohn

23 FEBRUARY 2023 - 09 MARCH 2023
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44. Caroline Thomson

Behind The Visible World (Small Version)

Oil on Paper
2023
A6 (10x15cm)
Original Artwork
Signed on Verso

Curated by Louise Fitzjohn 

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Louise Fitzjohn (44/60)

Notes


About 

Artist lives and works in London 

 

Education 

Turps Banana Off-Site Painting Programme (2019-2022).  

MA Fine Art Chelsea College of Art and Design (UAL) (2002-2003) 

BA Fine Art (Painting) Kingston University (1995-1998) 

 

Select Exhibitions/Awards 

Group Exhibitions 

London Paint Club, Selects Vol 2, London, 2022 

Art Car Boot Fair, It’s a Pattern, 2022   

Oxmarket Contemporary Open Oxmarket Contemporary, Chichester 2022 

Turps Off-site Leavers Show Thameside Studios Gallery London, 2022 

All the same age at different times Fitzrovia Gallery, London 2022 

This Year’s Model Part III, Studio 1-1, London, 2022 

Art Car Boot Fair, Electric Edition and Queen and Country, 2021 

Blink, Room Share Safehouse 1 London 2021 

No Format Gallery Painting Open London 2021 

This Year’s Model Part III, Studio 1-1, London, 2021 

This Year’s Model Part II Studio 1-1, London, 2020 

ING Discerning Eye Mall Galleries, London, 2019 

Lynn Painter-Stainer Prize Mall Galleries, London 2019 and 2018 

Solo Exhibitions 

Edgelands Intercession Gallery, Northampton 2018 

Jacksons Painting Prize, shortlisted artwork 2022 

John Moores Painting Prize, longlisted 

Jacksons Painting Prize Longlisted works 2018, 2020, 2021 

 

Statement about AOAP Submitted Artworks 

Caroline Thomson creates paintings of figures, specifically children, immersed within a landscape. They are absorbed within their own world. Ideas around childhood, the nature of imagination and memory are entangled in these enchanted spaces, where the children are the protagonists of their own making. Thomson draws on the rich artistic and literary history of woodland and forests which act as a metaphor for retreat, transformation or the unknown to create psychologically charged paintings. 

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action. 

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