Art on a Postcard International Women’s Day Auction - Curated by Beth Greenacre

About 

Ingrid Berthon-Moine is a French visual artist based in London. Her work primarily uses sculpture, painting and installation. She uses the human body as a playground to toy with identity, sexuality and consumerism as a way to examine the de/construction of gender identity and its behavioural consequences in our society. The body is seen as a sensitive receptor which bears the visual traces of our emotional turmoil and is also a source of information and power not to be neglected. Humour is also brought into play and acts as a connector. She also runs the online project @lackitlikeit on Instagram where she interviews womxn on their notion of lack(s). 

Education 

MA Fine Art Goldsmiths University 2017. 

Select Exhibitions/Awards 

Solo Exhibitions 

2022, It’s Getting Clawser, Fitzrovia Gallery, London 

2018, You Tear Us, Kelder Projects, London 

Selected Group Exhibitions 

2022, Open Mic by Abbas Zahedi, Frieze Art Fair, London 

2022, Gertrude Presents, Truman Brewery, London 

2022, Love, Celebration and the Road Ahead, TJ Boulting, London 

2022, Mãe, 55SP, São Paulo, Brazil, 

2022, Mothering, Kupfer Project Space, London, 

2022, Curated II Womxn, Unit 1 Gallery, London, 

2021, Faire Corps, Galerie Paris-Beijing, Paris, France, 

2021, Drawing Biennial, Drawing Room, London, 

2021, Photo London, Somerset House, London, 

2021, Hand-Held, itinerant exhibition, London, 

Awards, Prizes & Residencies 

2022, 1:1 Fund, Jerwood Award, London 

2021, Ingram Prize, finalist, London 

2021, Mark Tanner Award shortlisted, London 

2019, Barbican Art Trust, Residency winner, selected by Emma Talbot and Tai Shani, London, 

2018, Bloomberg New Contemporaries shortlisted, London, 

Statement about AOAP Submitted Artworks 

‘Drop, Drop, Drop’ is a collage composed of layers associated with the human body: skin, tissue and blood. The different textures and surfaces suggest a visual viscerality. 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. Anyone found doing so will be subject to legal action.